January 2019
Dominique Gonzalez-Foerster, Galerie für Zeitgenössische Kunst, Tobi Maier, Artforum
June 9, 2023
Turin’s Pinacoteca Agnelli has become a world-class art space, Financial Times, Jackie Wullschläger
May 3, 2022
Dominique Gonzalez-Foerster imagines extraterrestrial life in VR and beyond, Wallpaper, Martha Elliott
April 17, 2022
Dominique Gonzalez-Foerster: Alienarium 5 review – an all-together-now of beautiful minds, The Guardian, Laura Cumming
April 14, 2022
Dominique Gonzalez-Foerster: Alienarium 5 at the Serpentine Gallery review: sci-fi magic, Evening Standard, Ben Luke
April 14, 2022
Stranger Than Fiction: Inside Dominique Gonzalez-Foerster’s New Exhibition, Another Magazine, Violet Conroy
November 1, 2019
Collector Francesca Thyssen-Bornemisza on artists being advocates for change, Georgina Adam, Financial Times
May 17, 2019
gonzales-foerster explores VR's endless space at venice art biennale 2019, Tim Spears, designboom
May 10, 2019
Climate to fake news: Venice Biennale takes on era's big challenges, Charlotte Higgins, The Guardain
May 9, 2019
At the Venice Biennale, Artists Create Their Own Truths in the Era of “Fake News”, Alina Cohen, Artsy
January 24, 2018
These Gallery Walls Are Empty. Here, You Listen to the Art., Nina Siegal, The New York Times
January/Febuary 2017
Review: The Infinite Mix, Jonathan P. Watts, Frieze
December 2016
Best Of 2016: The Artists' Artists, Dora Budor, Artforum
May 2014
Dominique Gonzalez-Foerster, Art in America