Kwade takes a new approach on her iconic marble spheres with ‘Pretty Pity’, a large-scale installation at ARCA’s Wynwood showroom. Kwade, a contemporary artist known for her enigmatic sculptures and installations that explore concepts of space, time, science, and philosophy through immersive experiences about discovery confronts viewers to question their perception of reality.
Located in front of the iconic façade of ARCA’s showroom in Wynwood, the artwork titled ‘Pretty Pity’ takes a humorous approach to the use of its natural stone materials sourced from ARCA’s catalog. The monumental installation, featuring four sturdy and beautiful spherical layers of billion- year-old stone —such as Rosa Valencia and Marrón Emperador, from Spain, and Giallo Sienna and Bianco Carrara, from Italy— is shaped into the silhouette of melting ice cream scoops, an overt and ironic nod to the global warming crisis.
‘Pretty Pity’ is an expansion of one of Kwade’s recurring leitmotifs, being marble spheres in all imaginable sizes. This time, Kwade playfully self-quotes herself; from a distance, what first seems to be four well-rounded stone spheres, becomes more visibly imperfect upon closer inspection. The ice cream scoops are slowly melting away on Miami’s hot asphalt, representing a bittersweet commentary on our lifestyle, consumerism and global warming. The irony becomes evident, especially when thinking about the fact that ice cream once was one of the most luxurious desserts at the French Court, that had to be sourced directly from glacier ice from the Alps. And it is exactly that glacier ice that is now gone for most parts, due to our never-ending craving for more.
“My efforts to understand and represent something I can barely grasp, and my failure to do so, bring forth my work.” - Alicja Kwade.
The weight of the marble appears creamy, light and permeable, which is in direct opposition to the material, but the silhouette borrowed from the dessert of which it is mimicking, helps to give to the work a delicate appearance. Ice cream exists in its circular form for only a brief moment, before melting away or being consumed. The installation makes a statement of our reality and existence, through a playful, yet satirical approach.
